Members of the aboriginal band ZMEIRADUGA seek inspiration in ancient caves, the thicket of wild-growing jazz, Australian anthills and yurts of shamans. Voices and sounds from the whole World, ethnic drums, pipes of Australian Aborigines, alien synths, sounds of nature and songs in forgotten languages – all of these are played live at the crossroads of ethnic, tribal ambient и psy-dub.
1.
UR (Ouverture) 05:38
2.
Tumskari (album mix) 04:30
3.
Seashore Absence 05:20
4.
Red Sky 03:29
5.
Expulsion 06:09
6.
Quiet Sapience 03:26
7.
Vody 07:02
8.
Prelude K 01:47
9.
Beholding the Hive (album mix) 07:16
The Cat Empire es una banda australiana de jazz/funk, formada en Melbourne, Victoria , en 1999. Durante la mayor parte de la duración de la banda, los miembros principales fueron Felix Riebl (voz principal, percusión), Harry James Angus (trompeta, voz), Will Hull-Brown (batería), Jamshid "Jumps" Khadiwhala (giradiscos, percusión), Ollie McGill (teclados, coros) y Ryan Monro (bajo, coros). Monro se retiró de la banda en marzo de 2021, mientras que Angus, Hull-Brown y Khadiwhala se fueron en abril de 2022. A menudo se complementan con The Empire Horns, un dúo de metales compuesto por Ross Irwin (trompeta) y Kieran Conrau (trombón), entre otros. otros. Su sonido es una fusión de jazz, ska, funky rock con fuertes influencias latinas .
Steal The Light was our first fully independent worldwide release. It comes after more than ten years together, which saw us traverse the musical landscape to forge a signature sound that is all our own.
In many ways, this record is a return to our original aesthetic, a straightforward thing; that the music is for dancing and feeling good; and that the beat of the record belongs to all nations. It should make people smile, make people dance. That's all we want.
01. Brighter Than Gold
02. Prophets In The Sky
03. Steal The Light
04. Am I Wrong
05. Wild Animals
06. Still Young
07. Like A Drum
08. Open Up Your Face
09. Go
10. Sleep Won't Sleep
11. Don't Throw Your Hands Up
12. All Night Loud
Adam Plack es un músico, compositor y productor de didgeridoo nacido en Australia, originario de East Brighton en Melbourne. Se mudó a la ciudad de Nueva York en 1991 y lanzó cuatro álbumes antes de dedicarse a la producción y composición de música de meditación en sociedad con Deepak Chopra
Una fusión de melodías aborígenes de didgeridoo, tambores senegaleses de Wollof, ritmos de baile actualizados al minuto y realzados por voces de nativos americanos. Dividido en ocho "caminatas" o búsquedas espirituales, es un viaje desde Australia hasta África y las Américas. El álbum atraerá a los aficionados a la música mundial, los habitantes de los clubes y aquellos receptivos a los estilos de los creadores de tendencias como Peter Gabriel y Paul Simon. Ha estado impresionando a los seguidores de la música mundial a nivel mundial.
1 Nomad - 5:00
2 Mountain Walk South - 4:38
3 River Crossing - 6:06
4 Gathering - 5:17
5 Wildlife - 2:44
6 Mountain Walk East - 5:18
7 Tracking - 5:52
8 Follow the Sun - 4:40
9 Trading Ground - 5:22
A passion for exploration comes naturally to Xylouris White, the ruggedly visionary duo formed of Cretan lute player George Xylouris and Australian drummer Jim White. For their debut album, 2014’s Goats,
Xylouris White compared themselves to the titular animals, wandering
fearlessly through rough-hewn terrain. Two years later, they showed how
far their horizons could reach on 2016’s majestically expansive Black Peak, named after a mountain top in Crete.
Just 15 well-toured months later, the duo’s exploratory instincts drive them further onwards still on their third album, Mother, released 19th January on Bella Union, and named to denote “new life”. As Xylouris puts it, “Mother is the extension of Goats and Black Peak.
Three things, all part of a whole. Goats are mothers, Zeus was raised
on Amaltheia’s milk, Black Peak is Mother Earth… Mother Earth is the
mother of everything.” The duo have shared a first track from the album
titled “Only Love”, which is steaming HERE, while the album is available to preorder here.
Across Mother’s nine tracks, Xylouris White nurture
fecund growths from the spaces between their instruments. Sometimes the
songs drive with an invigorating urgency; sometimes they brood, plead,
yearn and lull. The duo seem to discover each other anew at every turn,
teasing the songs out from their fluid chemistry with the kind of
virtuosity that knows when to listen, accommodate and learn afresh. “A
theme of the album is the significance of simplicity and a child-like
approach,” Xylouris explains. “So, we connect mother and child and play
instruments as toys. Xylouris White is still gestating.”
That ongoing gestation is a remarkable extension of
already remarkable back-stories. Xylouris is a scion of one of Greece’s
most revered musical families. His father is legendary singer and lyra
player Psarantonis. Jim White, meanwhile, has commanded international
attention for more than two decades as part of Australia’s Dirty Three.
Now New York-based, White has often been called on to collaborate with
numerous alt-A-listers (including: Bonnie ‘Prince’ Billy, PJ Harvey, Cat
Power and Smog), where he redeploys the rolling momentum of free-jazz
to variously supple, sensitive and seismic ends. Most recently he
performed with Kurt Vile and Courtney Barnett on their acclaimed album
“Lotta Sea Lice”.
Album opener “In Medias Res” finds the duo already in
motion, feeling their way around one another, seeking out ways to bring a
song to full bloom. Proving they can also be thrillingly direct when
the mood takes them, “Only Love” follows with a brilliantly barrelling
sense of momentum, White’s powerhouse percussion urging Xylouris’s
liquid-fingered lute-playing and impassioned baritone on to increasing
heights of urgency.
From here, Xylouris White proceed as if by intuition,
feeling their way around new terrain. “Motorcycle Kondilies” is muscular
and epic, White’s rimshots providing on-alert accompaniment as
Xylouris’s reaching vocal and dancing lute lines build in intensity. If
the marching rhythm and pretty lute melody of “Spud’s Garden” highlights
the duo’s occasional elegant side, “Daphne” and “Achilles Heel”
showcase Xylouris White’s at their most hypnotic and brooding. “Woman
from Anogeia” hosts a particularly emotive vocal from Xylouris; “Call
and Response” is the duo at their freeform finest, circling each other
querulously, again teasing at possibility. Finally, resolution is
embraced openly on the tactile and reverberant “Lullaby”, as lovely a
track as any Xylouris White have birthed.
As on Black Peak, Mother’s labours benefited
from the midwifery of choice collaborators. Fugazi’s Guy Picciotto
produced once again. Also on hand this time was Anna Roberts-Gevalt of
old-time folk duo Anna & Elizabeth, whose earthy violin/viola lines
and exquisitely sighing vocals can be heard on the track “Lullaby”.
The result is an album of extraordinary accomplishment
from two supremely seasoned players who’ve kept a close kinship with the
richly, rewardingly inquisitive instincts of their youth. In Xylouris’s
words, “It’s the natural maturity of fruits as they ripen. As fruit
matures by the rhythm of nature, so the music grows at its own pace. So,
here are two maturing fruits giving the taste of their present maturity
– and they’re still children.”
1
In Medias Res
3:26 2
Only Love
3:30 3
Motorcycle Kondilies
7:15 4
Spud's Garden
3:53 5
Daphne
5:07 6
Achilles Heel
3:07 7
Woman From Anogeia
2:17 8
Call and Response
3:24 9
Lullaby
4:12
Live on Stage es el segundo álbum de labanda de fusión australiana gitana Monsieur Camembert . Lanzado en 2001, ganó el Premio ARIA 2002 al Mejor Álbum de Música del Mundo. La mayoría de las pistas son de un concierto en vivo grabado para ABC Radio National.
Absynthe es el tercer álbum de la banda de fusión australiana gitana Monsieur Camembert. Lanzado en junio de 2003, ganó el Premio ARIA 2003 al Mejor Álbum de Música del Mundo
Las interpretaciones de Monsieur Camembert raramente atraviesan los estilos de Cohen, incluyendo Hot Swing, free-jazz, tango, latín, klezmer, etc., etc. ¿Qué impulsó a Camembert a hacer Cohen? Yaron Hallis, líder del grupo, explica ... “durante años nuestra canción más solicitada ha sido 'Dance Me To The End Of Love' de Cohen, y muchos fanáticos han sugerido que hagamos una noche entera de Cohen. Es bastante emocionante finalmente asumir este cuerpo de material, y estar acompañado por cantantes invitados que admiro mucho, quienes en el nivel más cerebral e instintivo, se conectan e interpretan sus canciones con tanta belleza cruda ... hay muchos cantantes australianos. Estuve tentado de acercarme al espectáculo, pero muy pocos tenían la calidad de su voz que sentí que era especialmente adecuada para interpretar su música. Con Cohen, absolutamente cada palabra cuenta,y para que el material realmente funcione, tiene que haber vulnerabilidad, sensualidad y una verdad emocional completa ”.
Monsieur Camembert's interpretations traverse styles rarely if ever associated with Cohen, including Hot Swing, free-jazz, tango, latin, klezmer etc etc. So what prompted Camembert to do Cohen? Yaron Hallis, leader of the group, explains… “for years our most requested song has been Cohen’s ‘Dance Me To The End Of Love’, and many fans have suggested we do a whole night of Cohen. It’s quite thrilling to finally take on this body of material, and be joined by guest singers I so greatly admire, who on the most cerebral and instinctive level, connect with and interpret his songs with such raw beauty…there are lots of Australian singers I was tempted to approach for the show, but very few had the quality in their voice that I felt was especially suited to interpret his music. With Cohen, absolutely every word counts, and for the material to really work, there has to be vulnerability, sensuality and complete emotional truth”.
The album was recorded live at The Vanguard, Sydney, on the 12th, 13th & 14th April 2007.
Musicians: Yaron Hallis (Lead vocals, rhythm guitar)
Edouard Bronson (Saxes, bass clarinet, button accordion)
Marcello Maio (Piano, piano accordion)
Mark Harris (Double bass, backing vocals)
Jim "Santiago# Pennell (Lead and rhythm guitar)
Julian Curwin (Banjo, guitar)
Giosofatto Ciampa (Percussion, backing vocals)
Anatoli Torjinski (Cello)
Daniel Weltlinger (Violin)
Guest vocalists:
Carla Werner
Elana Stone
Abby Dobson
Ngaiire
Disco 1: 1.I'm your man 2. Gypsy wife 3. Field Commander Cohen 4. Chelsea Hotel 5. Manhattan 6. The guests 7. A singer must die 8. Famous blue raincoat 9. Light as the breeze 10. The future
Disco 2: 1. Take this waltz 2. 1958 Manifesto 3. Seems so long ago, Nancy 4. Intro to Jazz Police 5. Jazz Police 6. Suzanne 7. Who by fire 8. Bird on a wire 9. Memories 10. Halleluyah 11. Everybody knows 12. Closing time 13. The dove 14. Dance me to the end of love
Monsieur Camembert es una banda de fusión/Gypsy de cinco integrantes formada en Sydney, Australia, en 1997. Ganaron tres ARIA Music Awards al Mejor Álbum de Música del Mundo en 2002 por Live on Stage (lanzado en 2001), en 2003 por Absynthe y en 2005 porMonsieur Camembert. El repertorio lingüístico de la música de Monsieur Camembert incluye inglés, ruso, hebreo y yiddish.
Monsieur Camembert is a five-piece Gypsy fusion band formed in Sydney, Australia in 1997. They have won three ARIA Music Awards for Best World Music Album in 2002 for Live on Stage (released in 2001), in 2003 for Absynthe and in 2005 for Monsieur Camembert.The linguistic repertoire of Monsieur Camembert's music includes English, Russian, Hebrew and Yiddish.
cd1 01. "Fiddler Feidman Medley" - 4:48
02. "Money Money Money" - 3:56
03. "From Russia With Love" - 2:54
04. "Boulevard of Broken Dreams" - 5:22
05. "Bide Manke" - 6:40
06. "Odessa Bulgarish" - 5:18
07. "Tziganskaia" - 5:42
08. "(Just Another) Nail in the Cross" - 6:58
09. "Caravan" - 5:31
10. "Bohemian Rhapsody" - 5:53
cd2 01. "Swinging Both Ways" - 5:14
02. "Merrygoround" - 5:31
03. "Black Eyes" - 9:11
04. "Eits Chayim" - 10:35
05. "Oneiro Demenoo" - 4:40
06. "Dance Me to the End of Love" - 8:22
07. "Hungarian Dance" - 3:01
08. "I Want You to be My Baby" - 3:14
09. "Besame Mucho" - 6:21
10. "Those were the Days" - 12:36
Simon 7, founder of Nature Beat Music and band Didjworks, hails from
Melbourne Australia and lived in New York City for over 10 years.
After working as a guitarist/songwriter in Europe and the US for many
years rediscovered the Didjeridu on a return trip, and has been
mesmerizing audiences with its rich earthy trance-like sound ever since.
Didjworks as well as participating regularly with the Music Under New
York program has also performed at Woodstock 95, Alvin Ailey dance
concerts, Wendy Perron s Downtown Underground, Andrea Marcovicci at the
Symphony Space, Lincoln Center Outdoors, Bang on a Can with the Cassatt
Quartet Alice Tully Hall, Nation public radios New Sounds, Garrison
Keillor’s A Prairie Home Companion, and many other plays and club gigs.
Simon is also a member of the band Mecca Bodega who recorded the soundtrack to HBO’s Subway Stoties and have performed many festivals and toured the US and Australia.
Nature Beat Music has released 6 CD albums to date, Didjworks, New York Dreaming, Grand Central, Live, Citizen of the World, and Collective Unconcious.
Simon is also heard on 3 Albums with Mecca Bodega including a live CD
recorded at the Celebrate Brooklyn Festival, Mike Mainiers’ The Dreamings and many other soundtracks and TV commercials.
Simon moved back to Australia and resides in Byron Bay.
1
Outbreak of Happiness
5:57 2
Breath of Life
5:34 3
Intuvalation
5:28 4
Peace in Madagasca
5:32 5
Voice in the Wilderness
5:37 6
Soul of Africa
5:16 7
A Day in the Sun
5:42 8
World of Wonder
5:44 9
Echoes
5:32 10
Rhythum Culture
5:23 11
Outback Sunrise
5:39
Geoffrey Gurrumul Yunupingu (Galiwin'ku, Elcho Island, Australia, 22 de enero 1971-Tiwi, Darwin, Territorio del Norte; 25 de julio de 2017) fue un músico aborigen australiano, que cantaba en el idioma yolngu.
Nació en Galiwin'ku (Elcho Island), en la costa de la Tierra de Arnhem, al norte de Australia, distante alrededor de 580 kilómetros de Darwin. Pertenecía al clan Gumatj del Yolngu y su madre era de la nación Galpu.2 Nació ciego, nunca aprendió braille y no tenía un perro guía ni usaba un bastón blanco. Yunupingu hablaba unas pocas palabras en inglés, y se decía que era extremadamente tímido.3
Tocaba la batería, teclados, la guitarra y el didgeridoo, pero era la claridad de su voz de canto la que había atraído críticas muy favorables. Cantaba historias de su tierra en los dos idiomas (Galpu, Gumatj o Djambarrpuynu, todo Yolŋu Matha) e inglés. Antes de Yothu Yindi, ahora está con Saltwater Band.
Cradle Of Humanity features Mulatu Astatke, the Father Of Ethiojazz, in collaboration with Australian musical collective Black Jesus Experience.
Cradle Of Humanity is the funkified product of seven years of performances together around the world, brought to fruition in studios in Melbourne, Australia; Addis Ababa, Ethiopia; Koln, Germany and London, UK.
A meditation on the origins of humanity, rhythm and culture, this album combines the mystic tonalities of Ethiopia’s ancient and unique scales with deep grooves and the freedom principle.
Cradle Of Humanity’s suite of songs includes re-interpretations of the Mulatu gems Sabye, Netsanet, and Yekatit, and the Ethio classic Wubit. The inspirations for Mulatu’s original works, love, freedom, revolution and culture, are recast and reinterpreted by Amharic songstress Enushu Taye, lyrical giant Liam ‘Mr Monk’ Monkhouse and genius stream of consciousness freestyler Tibor Bacskai, honed through mentorship and discussion with Mulatu while touring (Australia, Africa, UK, Europe, Oceania, including Glastonbury, Big Chill, WOMAD, Bushfire, United Nations etc….). The album’s new compositions, by one of Australia’s finest jazz composers Peter Harper muse upon the liberation of selflessness on Until, letting go on We Pray and socialist anthem It’s Time.
Cradle Of Humanity features Mulatu’s vibes playing at its most expansive, and his signature approach to African percussion. Australian music legend Bob Sedergreen adds his hard funking magic on keyboards, whipped by the driving horns of Peter Harper on sax and Ian Dixon on flugelhorn. All stirred into a grooving ‘wot’ by Matt Head on kit, Chris Frangou bass and Zac Lister guitar with Nui Moon and Malamine Sonko percussion and special guests toaster Jornick Joelick and masinko virtuoso Asrat.
Cradle Of Humanity is the joyous fruit of a seven year journey of love, joy and artistic dedication.
Ash Dargan is an indigenous Australian didgeridoo player. He is a member of the Larrakia people but did not find out about his aboriginality until he was 21. He teaches and performs all over the world. He is a former member of Coloured Stone, appearing on their 1999 album Rhythm of Nature.
1. Ghost Story 2. Yirrakala 3. Dinga (Stone) 4. Bora (Initiation Ceremony) 5. Bullfrog 6. Spirit Song 7. Narkindie (Cave) 8. Arinya 9. Birubi (Southern Cross) 10. Kaoota (Evening Dance) 11. Yamanalee (Digging Song)
Guardians Of The Reef es una combinación atmosférica de sonidos increíbles de didgeridoo y flauta mezclados con voces humanas y sonidos del océano.
El cuarto tema (Journey Dolphin) es una pieza larga, sugerente, que tiene un ritmo lento, ondulante como los delfines cabeceando a través del mar.
La vida de David Hudson refleja su amor y su fe en la cultura aborigen Australiana. Él viene de la tribu Ewamin (oo-rah-min) / Western Yalangi (gente de la costa noreste de Australia) por lo que es natural que su hogar este en Cairns, en medio de la selva tropical y del hermoso arrecife. http://www.davidhudson.com.au/
Bass Guitar – Neil Hodgson
Didgeridoo – David Hudson
Drums, Percussion – Nigel Pegrum
Flute – Shakimra
Piano, Keyboards – Kirk Steel
Painting [Front Cover] – David Hudson
Shakimra Part 1
Echoes
Guardians Of The Reef
Dolphin Journey
Shakimra Part 2
Yothu Yindi es un fenómeno australiano. Liderados por el cantante y guitarrista Mandawuy Yunupingti, los Yothus Yolungus son parte (los aborígenes) y balandas parte (que no son aborígenes). Desde su creación hace ocho años la banda de 10 piezas ha cortado una franja independiente, a través principalmente de Australia, de rock orientado a la producción. Reproducción de música tradicional sacudió-para un público diverso, el contenido de la cultura aborigen celebra al mismo tiempo contiene una voz política fuerte. La canción Mabo, por ejemplo, comienza con las palabras 'Terra nullus "- del latín" tierra vacía "- refiriéndose a la vista de los colonizadores europeos falsa del territorio australiano por carecer de la habitación humana. Este álbum está lleno de relatos de sueños aborígenes, costumbres y sabiduría tribal. El mundo moderno - con sus derechos a la tierra de las campañas - es también cada vez más presente y el sentido de la interconexión de la existencia humana y natural fluye a través de la música. Si los pulsos de didgeridoo se puede comparar a una aceleración del latido cardíaco libertad se convierte en un relato de una fuerza de vida que se niega a ser negada.
La combinación de diferentes géneros musicales que se maneja con destreza. Timeless Land, por ejemplo, las capas de instrumentación moderna y tradicional, con las palabras de una antigua canción de Rirratjingu desde el noreste de Arnhem. Lingüísticamente también este álbum es una mezcla de dialectos Yongu Matha - traducida en la manga - e Inglés.
Freedom es un álbum que se puede bailar, tocar la bocina del didgeridoo jugadores de distancia con el virtuosismo de una Downunder Keith Richards desplazados. Eso Yothu Yindi ha logrado tal éxito sin diluir su mensaje o ser consignado a un gueto musical es un logro admirable que merece una escucha cerca. MacDonald Daly
1/ Timeless Land (MY,WM,SK,Bridie) 5.10 2/ World of Innocence (MY,Kellaway,Faith) 3.57 3/ Freedom (Yunupingu) 3.05 4/ Baywara (Yunupingu,Kellaway) 4.48 5/ Ngerrk (Traditional) 1.28 6/ Back To Culture (MY,Kellaway,Faith) 3.17 7/ World Turning (Yunupingu,Marika) 4.27 8/ Mabo (MY,GY,Kellaway,GY) 3.24 9/ Milika (Traditional) 0.36 10/ Danggultji (Traditional) 1.14 11/ Gunitjpirr Man (Yunupingu) 3.20 12/ Yolngu Boy (Yunupingu) 4.14 13/ Dots on the Shells (Yunupingu,Finn) 3.20 14/ Our Generation (MY,SK,Farriss) 3.17 15/ Gany 'tjurr (Traditional) 2.16 16/ Gapu (Tidal Mix) (Traditional) 5.11
Recorded at Festival Studios, Sydney, Australia, Greenpoint Studio, Brooklyn, New York Capricorn Studio, Darwin, Australia, EMI 301, Sydney, Australia and York St. Studios, Auckland, New Zealand Mixed by Ian Faith at Quad Recording, NY Mix engineer: David Lumsdaine Assistant: Mike Anzelowitz Tracks 2,4,6,7,8,13 & 14 produced by Ian Faith Original recording and production on tracks 1,3,5,9,10,12 & 15 by Robert Musso Additional production on track 1 by Ian Faith Additional production and arrangements on tracks 3,4,8 & 12 by Bill Laswell Track 11 produced by Bill Laswell Track 16 produced by Lamar Lowder
YOTHU YINDI - Mandawuy Yunupingu: vocals, guitar; Witiyana Marika: vocals, bilma, dance; Makuma Yunupingu: yidaki, vocals, bilma; Stuart Kellaway: bass; Mangatjay Yunupingu: dance; Banula Marika: vocals, dance; Bunimbirr Marika: yidaki; Cal Williams: guitar; Natalie Gillespie: vocals; Galarrwuy Yunupingu: vocals, bilma, clan leader; Mikayngu Mununggurr: yidaki; Gurrumul Yunupingu (The Guru): guitar, vocals, keyboards; Jodie Cockatoo: vocals; ADDITIONAL MUSICIANS - Neil Finn (13): vocals; Bill Laswell: bass; Nicky Skopelitis: 6 & 12 string guitars; Bernie Worrell: Hammond B-3 organ; Terepai Richmond: drums; Huey Benjamin: drums; Daniel Watson: percussion; Allen Murphy: drums; Andrew Belletty: drums. Tracks 5,15 and 16 arranged by G. Yunupingu Track 9 arranged by W. Marika
Acoustic Café es una irresistible colección musical de cantantes y autores de todo el mundo. Integra los mejores elementos de las series anteriores de Putumayo, las exitosas Acoustic y Café, que han vendido juntas más de 2 millones de copias.
En Acoustic Café, Putumayo incluye a artistas jóvenes de creciente popularidad y a nuevos descubrimientos. Manteniendo su enfoque global, los artistas vienen de distintas partes del mundo. Se presentan los cantantes norteamericanos, Trevor Hall, Justin TownesEarle y Sarah Jarosz, así como Harry Manx de Canadá, Gregory Alan Isakov de Sudáfrica y The Waifs de Australia.
Los innovadores artistas brindan una variedad de voces destacadas, desde el estilo folclórico y de blues de Brown Bird en “Danger and Dread”, al moderno de Trevor Hall en “The World Keeps Turnin”. La versión de Harry Manx del tema de Van Morrison, “Crazy Love”, y la interpretación del tema de Bob Dylan, “Ring Them Bells” por Sarah Jarosz, demuestran la capacidad de los artistas contemporáneos de interpretar populares temas clásicos con un estilo propio. Justin Townes Earle exhibe su distintiva voz oscura y rasposa concaracterísticos tonos norteamericanos en “One More Night in Brooklyn,” mientras The Sweet Remains ofrecen bellas armonías en “Dance With Me”. Gregory Alan Isakov le agrega un moderno sonido folk a “The Stable Song” y Lucy Kaplansky apela a una sensibilidad folk más tradicional en “Manhattan Moon”. Fences nos cuenta la historia de un amor perdido en “From Russia With….” y Jon and Roy nos ofrecen el alentador “Any Day Now”. Desde Australia, The Waifs, cierran la colección con su energía estimulante en “Love Serenade”. Fuente
Temas:
01. Harry Manx - Crazy love - (Canada)
02. Brown Bird - Danger and dread - (United States)
03. Trevor Hall - The world keeps turnin' - (United States)
04. Sarah Jarosz - Ring them bells - (United States)
05. Justin Townes Earle - One more night in Brooklyn - (United States)
06. The Sweet Remains - Dance with me - (United States)
07. Lucy Kaplansky - Manhattan moon - (United States)
08. Gregory Alan Isakov - The stable song - (South Africa)
09. Fences - From Russia with... - (United States)
10. Jon and Roy - Any day now - (Canada)
11. The Waifs - Love serenade - (Australia)
El conjunto musical de HAYA Band y Daiqing Tana captura de manera encantadora la esencia primordial de una época antigua y mística. Escuch...
La Música
La música es el corazón de la vida. Por ella habla el amor; sin ella no hay bien posible y con ella todo es hermoso. La música puede dar nombre a lo innombrable y comunicar lo desconocido. La música es sinónimo de libertad, de tocar lo que quieras y como quieras, siempre que sea bueno y tenga pasión, que la música sea el alimento del amor.
LEE
Creo que sería labor de los Ministerios de Cultura de cada país difundir la cultura musical y facilitar su acceso sin cortapisas.
Naturalmente queda a criterio de cada cual que,una vez escuchado, pueda adquirirlo en su tiend habitual, supuesto válido sólo para un reducido número de discos, ya que muchos de ellos no están en los circuitos comerciales convencionales y acceder a su compra en algunos casos será harto difícil cuando no imposible. En esta página no hay finalidad económica alguna. Única y exclusivamente el deseo de ayudar a que disfrutes con algo tan maravilloso como es la música.
Mi gratitud a los autores que nos hacen disfrutar de sus creaciones y también a todos aquellos que permiten que llegue a nosotros, facilitando que podamos ampliar nuestra cultura y sensibilidad, constituyendose así en un extraordinario regalo.
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